How To Text Path In Photoshop

Photoshop User Guide
Introduction to Photoshop
1. Dream information technology. Go far.
2. What'southward new in Photoshop
3. Edit your get-go photo
4. Create documents
5. Photoshop | Common Questions
6. Photoshop system requirements
7. Migrate presets, actions, and settings
8. Go to know Photoshop
Photoshop and Adobe services
1. Work with Illustrator artwork in Photoshop
2. Substance 3D Materials for Photoshop
3. Photoshop and Adobe Stock
4. Use the Capture in-app extension in Photoshop
5. Creative Deject Libraries
6. Creative Cloud Libraries in Photoshop
7. Use the Impact Bar with Photoshop
8. Grid and guides
9. Creating actions
10. Undo and history
Photoshop on the iPad
1. Photoshop on the iPad | Common questions
2. Get to know the workspace
3. System requirements | Photoshop on the iPad
4. Create, open, and export documents
5. Add together photos
6. Piece of work with layers
7. Describe and paint with brushes
8. Brand selections and add masks
9. Retouch your composites
10. Work with aligning layers
11. Adjust the tonality of your composite with Curves
12. Utilize transform operations
13. Crop and rotate your composites
14. Rotate, pan, zoom, and reset the canvass
15. Piece of work with Type layers
16. Work with Photoshop and Lightroom
17. Become missing fonts in Photoshop on the iPad
18. Japanese Text in Photoshop on the iPad
19. Manage app settings
20. Touch shortcuts and gestures
21. Keyboard shortcuts
22. Edit your image size
23. Livestream as you create in Photoshop on the iPad
24. Correct imperfections with the Healing Brush
25. Create brushes in Capture and employ them in Photoshop
26. Piece of work with Photographic camera Raw files
27. Create and work with Smart Objects
28. Suit exposure in your images with Dodge and Burn down
Photoshop on the spider web beta
1. Mutual questions | Photoshop on the web beta
2. Introduction to the workspace
3. System requirements | Photoshop on the web beta
4. Keyboard shortcuts | Photoshop on the web beta
5. Supported file types | Photoshop on the web beta
6. Open and work with cloud documents
7. Interact with stakeholders
8. Utilise limited edits to your cloud documents
Deject documents
1. Photoshop cloud documents | Common questions
2. Photoshop cloud documents | Workflow questions
3. Manage and work with cloud documents in Photoshop
4. Upgrade cloud storage for Photoshop
5. Unable to create or save a deject document
6. Solve Photoshop cloud document errors
7. Collect cloud document sync logs
8. Share admission and edit your cloud documents
9. Share files and comment in-app
Workspace
1. Workspace basics
2. Learn faster with the Photoshop Discover Panel
3. Create documents
4. Use the Affect Bar with Photoshop
5. Tool galleries
6. Functioning preferences
7. Use tools
8. Touch gestures
9. Touch capabilities and customizable workspaces
10. Technology previews
11. Metadata and notes
12. Default keyboard shortcuts
13. Touch capabilities and customizable workspaces
14. Place Photoshop images in other applications
15. Preferences
16. Default keyboard shortcuts
17. Rulers
18. Show or hide not-printing Extras
19. Specify columns for an image
20. Undo and history
21. Panels and menus
22. Identify files
23. Position elements with snapping
24. Position with the Ruler tool
25. Presets
26. Customize keyboard shortcuts
27. Filigree and guides
Web, screen, and app blueprint
1. Photoshop for blueprint
2. Artboards
3. Device Preview
4. Copy CSS from layers
5. Piece web pages
6. HTML options for slices
7. Change slice layout
8. Piece of work with spider web graphics
9. Create web photo galleries
Epitome and colour basics
1. How to resize images
2. Piece of work with raster and vector images
3. Paradigm size and resolution
4. Acquire images from cameras and scanners
5. Create, open, and import images
6. View images
7. Invalid JPEG Mark error | Opening images
8. Viewing multiple images
9. Customize color pickers and swatches
10. Loftier dynamic range images
11. Match colors in your image
12. Convert betwixt color modes
13. Color modes
14. Erase parts of an paradigm
15. Blending modes
16. Choose colors
17. Customize indexed color tables
18. Image information
19. Distort filters are unavailable
20. About color
21. Colour and monochrome adjustments using channels
22. Choose colors in the Colour and Swatches panels
23. Sample
24. Colour mode or Paradigm mode
25. Color cast
26. Add a provisional fashion change to an action
27. Add together swatches from HTML CSS and SVG
28. Chip depth and preferences
Layers
1. Layer nuts
2. Nondestructive editing
3. Create and manage layers and groups
4. Select, grouping, and link layers
5. Place images into frames
6. Layer opacity and blending
7. Mask layers
8. Apply Smart Filters
9. Layer comps
10. Move, stack, and lock layers
11. Mask layers with vector masks
12. Manage layers and groups
13. Layer effects and styles
14. Edit layer masks
15. Excerpt assets
16. Reveal layers with clipping masks
17. Generate image assets from layers
18. Work with Smart Objects
19. Blending modes
20. Combine multiple images into a group portrait
21. Combine images with Auto-Blend Layers
22. Align and distribute layers
23. Copy CSS from layers
24. Load selections from a layer or layer mask'south boundaries
25. Knockout to reveal content from other layers
26. Layer
27. Flattening
28. Blended
29. Background
Selections
1. Select and Mask workspace
2. Brand quick selections
3. Get started with selections
4. Select with the marquee tools
5. Select with the lasso tools
6. Select a colour range in an prototype
7. Arrange pixel selections
8. Convert between paths and selection borders
9. Channel basics
10. Move, copy, and delete selected pixels
11. Create a temporary quick mask
12. Salve selections and alpha channel masks
13. Select the prototype areas in focus
14. Duplicate, split, and merge channels
15. Channel calculations
16. Selection
17. Bounding box
Image adjustments
1. Perspective warp
2. Reduce camera shake blurring
3. Healing castor examples
4. Export colour lookup tables
5. Adjust paradigm sharpness and blur
6. Empathise color adjustments
7. Apply a Brightness/Contrast adjustment
8. Conform shadow and highlight detail
9. Levels adjustment
10. Suit hue and saturation
11. Adjust vibrance
12. Accommodate color saturation in epitome areas
13. Brand quick tonal adjustments
14. Apply special color effects to images
15. Raise your image with color residual adjustments
16. Loftier dynamic range images
17. View histograms and pixel values
18. Match colors in your image
19. How to crop and straighten photos
20. Convert a colour image to black and white
21. Adjustment and fill layers
22. Curves adjustment
23. Blending modes
24. Target images for press
25. Conform color and tone with Levels and Curves eyedroppers
26. Adjust HDR exposure and toning
27. Filter
28. Mistiness
29. Dodge or fire image areas
30. Brand selective color adjustments
31. Supplant object colors
Adobe Camera Raw
1. Camera Raw system requirements
2. What'due south new in Camera Raw
3. Introduction to Camera Raw
4. Create panoramas
5. Supported lenses
6. Vignette, grain, and dehaze furnishings in Camera Raw
7. Default keyboard shortcuts
8. Automated perspective correction in Camera Raw
9. How to brand non-subversive edits in Photographic camera Raw
10. Radial Filter in Camera Raw
11. Manage Photographic camera Raw settings
12. Open, process, and save images in Photographic camera Raw
13. Repair images with the Enhanced Spot Removal tool in Camera Raw
14. Rotate, crop, and accommodate images
15. Adjust color rendering in Camera Raw
16. Characteristic summary | Adobe Photographic camera Raw | 2018 releases
17. New features summary
18. Process versions in Camera Raw
19. Brand local adjustments in Photographic camera Raw
Paradigm repair and restoration
1. Remove objects from your photos with Content-Enlightened Fill
2. Content-Aware Patch and Move
3. Retouch and repair photos
4. Correct image distortion and noise
5. Basic troubleshooting steps to ready near problems
Paradigm transformations
1. Transform objects
2. Suit crop, rotation, and canvas size
3. How to ingather and straighten photos
4. Create and edit panoramic images
5. Warp images, shapes, and paths
6. Vanishing Betoken
7. Apply the Liquify filter
8. Content-enlightened scaling
9. Transform images, shapes, and paths
10. Warp
11. Transform
12. Panorama
Drawing and painting
1. Paint symmetrical patterns
2. Draw rectangles and modify stroke options
3. About cartoon
4. Describe and edit shapes
5. Painting tools
6. Create and change brushes
7. Blending modes
8. Add color to paths
9. Edit paths
10. Pigment with the Mixer Brush
11. Brush presets
12. Gradients
13. Gradient interpolation
14. Fill and stroke selections, layers, and paths
15. Draw with the Pen tools
16. Create patterns
17. Generate a pattern using the Pattern Maker
18. Manage paths
19. Manage pattern libraries and presets
20. Draw or paint with a graphics tablet
21. Create textured brushes
22. Add dynamic elements to brushes
23. Gradient
24. Paint stylized strokes with the Art History Brush
25. Pigment with a pattern
26. Sync presets on multiple devices
Text
1. Work with OpenType SVG fonts
2. Format characters
3. Format paragraphs
4. How to create blazon effects
5. Edit text
6. Line and character spacing
7. Standard arabic and Hebrew type
8. Fonts
9. Troubleshoot fonts
10. Asian type
11. Create type
12. Text Engine error using Blazon tool in Photoshop | Windows 8
13. World-Ready composer for Asian Scripts
14. How to add and edit the text in Photoshop
Video and animation
1. Video editing in Photoshop
2. Edit video and animation layers
3. Video and animation overview
4. Preview video and animations
5. Pigment frames in video layers
6. Import video files and image sequences
7. Create frame animations
8. Creative Cloud 3D Blitheness (Preview)
9. Create timeline animations
10. Create images for video
Filters and furnishings
1. Use the Liquify filter
2. Employ the Blur Gallery
3. Filter basics
4. Filter effects reference
5. Add Lighting Effects
6. Utilise the Adaptive Wide Angle filter
7. Apply the Oil Pigment filter
8. Layer effects and styles
9. Apply specific filters
10. Smudge paradigm areas
Saving and exporting
1. Save your files in Photoshop
2. Export your files in Photoshop
3. Supported file formats
4. Save files in graphics formats
5. Move designs betwixt Photoshop and Illustrator
6. Save and export video and animations
7. Save PDF files
8. Digimarc copyright protection
Press
1. Print 3D objects
2. Print from Photoshop
3. Print with color management
4. Contact Sheets and PDF Presentations
5. Print photos in a flick packet layout
6. Impress spot colors
7. Duotones
8. Print images to a commercial printing press
9. Ameliorate color prints from Photoshop
10. Troubleshoot printing issues | Photoshop
Automation
1. Creating deportment
2. Create data-driven graphics
3. Scripting
4. Procedure a batch of files
5. Play and manage actions
6. Add conditional actions
7. About actions and the Deportment console
8. Record tools in actions
9. Add a provisional way modify to an action
10. Photoshop UI toolkit for plug-ins and scripts
Color Management
1. Agreement colour management
2. Keeping colors consistent
3. Color settings
4. Work with colour profiles
5. Color-managing documents for online viewing
6. Color-managing documents when press
7. Colour-managing imported images
8. Proofing colors
Content authenticity
1. Learn well-nigh content credentials
2. Identity and provenance for NFTs
3. Connect accounts for creative attribution
3D and technical imaging
1. Photoshop 3D | Common questions effectually discontinued 3D features
2. Creative Cloud 3D Blitheness (Preview)
3. Impress 3D objects
4. 3D painting
5. 3D panel enhancements | Photoshop
6. Essential 3D concepts and tools
7. 3D rendering and saving
8. Create 3D objects and animations
9. Image stacks
10. 3D workflow
11. Measurement
12. DICOM files
13. Photoshop and MATLAB
14. Count objects in an prototype
15. Combine and convert 3D objects
16. 3D texture editing
17. Adjust HDR exposure and toning
18. 3D panel settings

Path segments, components, and points

A path consists of one or more straight or curved segments. Anchor points mark the end points of the path segments. On curved segments, each selected anchor point displays ane or two direction lines, ending in direction points. The positions of direction lines and points determine the size and shape of a curved segment. Moving these elements reshapes the curves in a path.

A. Curved line segmentB. Management signalC. Direction lineD. Selected anchor pointE. Unselected anchor bespeak

A path can be closed, with no beginning or end (for example, a circle), or open, with distinct cease points (for example, a wavy line).

Polish curves are connected by ballast points called polish points. Sharply curved paths are connected by corner points.

Photoshop Smooth point and corner point — Smoothen point and corner point

When you lot move a direction line on a smooth point, the curved segments on both sides of the betoken are adjusted simultaneously. By comparison, when you move a direction line on a corner bespeak, only the curve on the same side of the bespeak as the direction line is adapted.

Photoshop Adjust a smooth point and a corner point — Adjusting a polish point and a corner point

A path does not take to be i connected series of segments. It can contain more than one distinct and separate path component. Each shape in a shape layer is a path component, equally described by the layer'south clipping path.

Photoshop Select separate path components — Split up path components selected

Select a path

Selecting a path component or path segment displays all of the anchor points on the selected portion, including any direction lines and direction points if the selected segment is curved. Direction handles appear as filled circles, selected anchor points as filled squares, and unselected anchor points equally hollow squares.

To select a path component (including a shape in a shape layer), select the Path Pick tool, and click anywhere within the path component. If a path consists of several path components, only the path component nether the pointer is selected.
To select a path segment, select the Direct Selection tool, and click one of the segment's ballast points, or elevate a marquee over function of the segment.

Photoshop Direct Selection tool — Drag a marquee to select segments.

To select additional path components or segments, select the Path Option tool or the Direct Selection tool, and so hold down Shift while selecting additional paths or segments.

When the Straight Pick tool is selected, y'all tin select the unabridged path or path component past Alt-clicking (Windows) or Option-clicking (Mac Bone) inside the path. To activate the Straight Option tool when most other tools are selected, position the pointer over an anchor point, and printing Ctrl (Windows) or Command (Mac Os).

Select multiple paths | Photoshop

Yous tin can select multiple paths on the same layer or across different layers.

In the Pathspanel, practise any of the following to make the paths visible:

Shift-click to select contiguous paths.
Ctrl-click (Windows) or Command-click (Mac Os) to select non-contiguous paths.

Select the Path Selection tool or the Direct Selection tool and do whatever of the following:

Elevate over the segments.
Shift-click the paths.

To select additional path components or segments, select the Path Selection tool or the Direct Selection tool, so concord down the Shift central while selecting boosted paths or segments.

Yous can choose to work with paths in the isolation style. To isolate only the layer containing a path, with the path active, double-click using a selection tool. You tin can also isolate single or multiple layers by using the Select/Isolate Layers menu item or by setting Layer Filtering to Selected.

Y'all can exit the isolation mode in several ways, such as:

Turning off Layer Filtering
Switching Layer Filtering to something other than Selected
Double-clicking away from a path using the path pick tools

Reorder paths

You can reorder saved paths that are not Shape, Type, or Vector Mask paths in the Paths console.

In the Pathspanel, elevate the path to the position you want. In Photoshop, you can select and drag more than than ane path simultaneously.

Duplicate paths

In the Pathsconsole, select the path you want to duplicate. In Photoshop, you can select more than than one path.

Alt-drag (Windows) or Option-drag the paths.
Choose Duplicate Path from the panel menu.

Specify path options

You can define the color and thickness of path lines to accommodate your taste and for easier visibility. While creating a path—using the Pen tool, for example—click the gear icon () in the Options bar. At present specify the color and thickness of path lines. As well, specify whether you desire to preview path segments as y'all move the pointer between clicks (Safety Band issue).

Adjust path segments

You can edit a path segment at any time, but editing existing segments is slightly different from cartoon them. Keep the post-obit tips in listen when editing segments:

If an anchor betoken connects two segments, moving that anchor point always changes both segments.
When drawing with the Pen tool, you can temporarily activate the Direct Option tool and so that you lot can conform segments yous've already drawn; press Ctrl (Windows) or Control (Mac OS) while drawing.
When you initially draw a polish point with the Pen tool, dragging the direction signal changes the length of the direction line on both sides of the point. However, when you lot edit an existing smooth point with the Direct Selection tool, y'all modify the length of the direction line only on the side yous're dragging.

Move directly segments

With the Direct Selection tool , select the segment you want to adjust.

Drag the segment to its new position.

Adjust the length or angle of straight segments

With the Directly Selection toolselect an anchor point on the segment you want to accommodate.

Elevate the anchor signal to the desired position. Shift-drag to constrain the aligning to multiples of 45°.

Adapt the position or shape of curved segments

With the Direct Selection tool,, select a curved segment, or an anchor signal on either end of the curved segment. Direction lines appear, if whatsoever are present. (Some curved segments employ merely one direction line.)

To adjust the position of the segment, drag the segment. Shift-drag to constrain the adjustment to multiples of 45°.

Photoshop Click to select the curve segment — Click to select the curve segment. Then elevate to adjust.

To conform the shape of the segment on either side of a selected anchor point, drag the ballast signal or the direction point. Shift-drag to constrain motility to multiples of 45°.

Photoshop Drag the anchor point or the direction point — Drag the anchor betoken, or drag the direction signal.

Adjusting a path segment also adjusts the related segments, letting you intuitively transform path shapes. To only edit segments between the selected anchor points, like to earlier Photoshop versions, select Constrain Path Dragging in the options bar.

You tin can also apply a transformation, such equally scaling or rotating, to a segment or anchor point.

Delete a segment

(Optional) If you're creating an opening in a closed path, select the Add together Anchor Point tool , and add 2 points where yous want the cutting to occur.

Select the Directly Selection tool , and select the segment you want to delete.

Press Backspace (Windows) or Delete (Mac Os) to delete the selected segment. Pressing Backspace or Delete again erases the residuum of the path.

Delete the management line of an anchor point

Using the Convert Ballast Point tool, click the ballast signal of the direction line.
The smooth point becomes a corner betoken. For more data, run into Convert between smooth points and corner points.

Extend an open path

Using the Pen tool, position the arrow over the endpoint of the open path you want to extend. The pointer changes when information technology'due south precisely positioned over the endpoint.

To create a corner point, position the Pen tool where you want to end the new segment, and click. If y'all are extending a path that ends at a smoothen bespeak, the new segment will be curved by the existing direction line.
To create a polish point, position the Pen tool where you want to end the new curved segment, and drag.

Connect two open paths

Using the Pen tool, position the pointer over the endpoint of the open path that you want to connect to another path. The arrow changes when it's precisely positioned over the endpoint.

To connect the path to another open path, click an endpoint on the other path. When you precisely position the Pen tool over the other path's endpoint, a modest merge symbol appears side by side to the arrow.
To connect a new path to an existing path, draw the new path near the existing path, and so motion the Pen tool to the existing path's (unselected) endpoint. Click that endpoint when you see the small merge symbol that appears next to the arrow.

Move or nudge anchor points or segments using the keyboard

Select the ballast point or path segment.

Click or concur downwardly any of the arrow keys on the keyboard to move 1 pixel at a time in the direction of the arrow.

Hold downwards the Shift primal in addition to the arrow key to movement 10 pixels at a time.

Add or delete anchor points

Calculation anchor points can give you more control over a path or it tin extend an open path. Even so try not to add more points than necessary. A path with fewer points is easier to edit, brandish, and print. You tin reduce the complexity of a path by deleting unnecessary points.

The toolbox contains 3 tools for adding or deleting points: the Pen tool, the Add Anchor Point tool, and the Delete Anchor Point tool.

By default, the Pen tool changes to the Add Ballast Point tool as you position it over a selected path, or to the Delete Anchor Point tool as you position it over an anchor point. You must select Auto Add together/Delete in the options bar to enable the Pen tool to automatically change to the Add Anchor Signal or Delete Anchor Point tool.

You tin select and edit multiple paths simultaneously. You can besides reshape a path while calculation ballast points by clicking and dragging equally you add together.

Don't use the Delete or Backspace keys or the Edit > Cut or Edit > Clear commands to delete anchor points. These keys and commands delete the point and line segments that connect to that point.

Add or delete ballast points

Select the path you want to modify.

Select the Pen tool, the Add Anchor Point tool, or the Delete Anchor Betoken tool.

To add an anchor betoken, position the pointer over a path segment and click. To delete an anchor point, position the pointer over an anchor betoken and click.

You can override automatic switching of the Pen tool to the Add Ballast Point tool or the Delete Ballast Betoken tool. This is useful when you want to first a new path on peak of an existing path.

In Photoshop, deselect Machine Add/Delete in the options bar.

Catechumen between polish points and corner points

Select the path you want to modify.

Select the Catechumen Point tool, or employ the Pen tool and hold downwardly Alt (Windows) or Option (Mac Os).

To activate the Catechumen Point tool while the Direct Selection tool is selected, position the pointer over an ballast point, and press Ctrl+Alt (Windows) or Control+Option (Mac Os).

Position the Convert Point tool over the anchor point you want to convert, and do i of the following:

To convert a corner point to a shine point, elevate abroad from the corner point to make direction lines appear.

Photoshop convert between smooth points and corner points — Dragging a direction point out of a corner point to create a smooth point

To convert a shine point to a corner point without direction lines, click the smooth point.

Photoshop Click a smooth point to create a corner point — Clicking a smooth bespeak to create a corner indicate

To convert a corner point without management lines to a corner betoken with independent management lines, first drag a direction bespeak out of a corner point (making information technology a smooth point with direction lines). Release the mouse button only (don't release any keys you lot may have pressed to activate the Convert Anchor Bespeak tool), and so drag either direction betoken.
To convert a smooth point to a corner point with independent direction lines, drag either direction point.

Photoshop Convert a smooth point to a corner point — Converting a smooth bespeak to a corner point

Adjust path components

You can reposition a path component (including a shape in a shape layer) anywhere within an image. Yous tin copy components within an epitome or between two Photoshop images. Using the Path Selection tool, you can merge overlapping components into a single component. All vector objects, whether they are described past a saved path, piece of work path, or vector mask, can be moved, reshaped, copied, or deleted.

You tin also employ the Copy and Paste commands to duplicate vector objects between a Photoshop image and an image in some other application, such equally Adobe Illustrator.

Change the overlap mode for the selected path component

Using the Path Selection tool , drag a marquee to select existing path areas.

Choose a shape area option from the Path Operations drop-downward menu in the options bar:

Combine Shapes

Adds the path surface area to overlapping path areas.

Decrease From Shape Area

Removes the path area from overlapping path areas.

Intersect Shape Areas

Restricts the expanse to the intersection of the selected path surface area and overlapping path areas.

Exclude Overlapping Shape Areas

Excludes the overlap area.

Choose View > Show > Target Path.
Cull View > Extras. This command too shows or hides a grid, guides, selection edges, annotations, and slices.

Movement a path or path component

Select the path name in the Paths panel, and utilize the Path Option tool to select the path in the image. To select multiple path components, Shift-click each additional path component to add it to the selection.

Drag the path to its new location. If you lot move any part of a path across the canvas boundaries, the hidden part of the path is withal bachelor.

Photoshop Drag a path to a new location — Dragging a path to a new location

If you drag a path so that the move pointer is over another open up paradigm, the path is copied to that paradigm.

Reshape a path component

Select the path name in the Paths panel, and use the Direct Option tool to select an anchor point in the path.

Elevate the point or its handles to a new location.

Merge overlapping path components

Select the path proper noun in the Paths console, and select the Path Selection tool .

To create a single component from all overlapping components, choose Merge Shape Components from the Path Operations drop-downward menu in the options bar.

Copy a path component or path

Copy path components between two Photoshop files

In the source image, utilize the Path Choice tool to select the entire path or the path components that you lot desire to copy.

To copy the path component, practise any of the following:

Drag the path component from the source epitome to the destination paradigm. The path component is copied to the active path in the Paths panel.
In the source image, select the path name in the Paths panel and choose Edit > Copy to copy the path. In the destination image, choose Edit > Paste. You tin likewise utilise this method to combine paths in the same image.
To paste the path component into the destination image, select the path component in the source paradigm, and cull Edit > Copy. In the destination image, choose Edit > Paste.

Delete a path component

Select the path proper noun in the Paths panel, and click a path component with the Path Selection tool .

Press Backspace (Windows) or Delete (Mac OS) to delete the selected path component.

Align and distribute path components

Y'all tin can marshal and distribute path components that are described in a unmarried path. For case, you lot can align the left edges of several shapes contained in a unmarried layer or distribute several components in a work path along their horizontal centers.

To marshal shapes that are on separate layers, utilize the Movement tool.

To align components, use the Path Selection tool to select the components y'all want to align. Then choose an option from the Path Alignment drib-downwards menu in the options bar.

Photoshop Alignment options — Alignment options

To distribute components, select at to the lowest degree three components you want to distribute. Then choose an option from the Path Arrangement drop-downwards menu in the options bar.

Photoshop Distribute options — Distribute options

Video tutorial: Tips for working with vectors in Photoshop

In this episode of The Complete Picture, Julieanne demonstrates five of her favorite features for working with vectors in Photoshop.

Source: https://helpx.adobe.com/photoshop/using/editing-paths.html

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